Attorneys use my storytelling techniques to construct cohesive narratives that compels juries to act in favor of their clients.
Over 70% of my case consultations have ended in acquittal, dropped or reduced charges.
Imagine a play where, for many days, two actors tell a story to a captive, hand-picked audience.
Each day, the two actors address this silent audience, each telling them a story about the main character, who is present, but also silent.
The stories are diametrically opposed - they literally contradict each other.
The audience members are forbidden to discuss what they are hearing and seeing. They must contemplate the story and characters in isolation.
The audience is ordered to listen to the stories without prejudice. But their lack of awareness of their own bias makes objectivity impossible.
The stories about the main character are told in two major monologues: one at the beginning of this days-long pageant, and one at the end.
These monologues are unscripted and often unrehearsed, but can take hours to perform. Any inaccuracies in them will immediately negate the audience's belief in their veracity.
The stories must be so effective and moving that the audience must have no choice but to accept them as absolute truth. This is the goal of each actor.
Now, imagine that instead of the play simply ending, the audience themselves catalyze to become the most important actor: the one that determines the story's climax: the fate of the main character.
The main character's potential fates are that he can regain his freedom, lose it - possibly forever, or be put to death.
The fate of this person is balanced on how well each actor has told a story.
These performances are happening every day, in every city in America.